Daylighting Design Optimization using Rhinoceros and Grasshopper Plug-in: The High Museum of Art (HMA) Expansion Case Study
Nowadays, computational techniques offer a more convenient
design process. They help realise complex designs and open new solutions possibilities.
This report uses case study methodologies to examine the benefits and
challenges of computational design approaches, specifically parametric design,
in The High Museum of Art (HMA) expansion project. Moreover, comparing two previous
studies offering different approaches to evaluating skylight performance
indicates that parametric design allows iterative scenarios to optimise the
skylight system and enhance creativity. The tools and workflow of the
parametric method show that it can be used as seeds for future projects. However,
several challenges emerge, which include the difficulties of interpreting the
designer’s idea into a programming language and concerns about the idealism of
an architect that will be driven only by the algorithm rather than building
objectives and clients' requirements. Constant learning and evaluation of the
ideal design process are suggested as solutions to overcome the issues
mentioned in the report.
1.
Introduction
Nowadays,
the internet and information systems are growing rapidly. Digital technology provides
an abundant amount of data at our fingertips. In respon, all industries,
including Architecture, Engineering, and Construction (AEC), are shifting
accordingly. For example, numerous computer
software and platforms are now available to help the design process run
efficiently and collaboratively.
Conventional
design approaches, both paper-based and computer-aided design (CAD), usually include
analysing the site, conceptualising, and developing the design. This process
can be said to be linear, although it is generally evaluated back and forth to alter
the solution (U. Toker, 2022). Still, the concept can not be
established without manually adding or erasing the geometry. Conversely, the
evolution of computational design approaches offers a more dynamic and
non-linear way of thinking, namely, Digital fabrication, Parametric Design,
Gamified Exploration, and the application of Artificial Intelligence. These methods
allow the geometric to be explored and refined at any stage of the design
process. Hence, it can enhance creativity as well as offer better design
solutions. However, the development of computer process design and advanced
technologies also demands an adaptation of the role of architects and
engineers.
This report aims to examine the application of the computational
design approach, particularly the parametric method, in the case of the High
Museum Atlanta (HMA) expansion project. However, the implementation of
parametric design in the actual project was unknown. Therefore, two previous
studies were taken to compare the performance of the skylight design using two
different methodologies: the censors method and parametric modelling. Furthermore,
tools and the workflow associated with the parametric design will be explained.
2.
Literature
Review
2.1.
Computational
Design Parametric Technology
Before the emergence of computational design
technology, designer sketched their ideas onto paper. When Computer-Aided Design
(CAD) was introduced, an experiment of a previous study suggested that it helps
reduce time and verify the accuracy of the design ideas (N. Cross, 2006). This computer ability then evolved into a tool for
three-dimensional visualisations in post-2000 and has been developed toward
digital generative and performance-based approaches. Generative design creates
a range of generated design options where the designer makes the code, whilst
performative focuses on the simulation of the design performance using various
analysis (R. Oxman, 2017). Both employ a parametric solution where the designer
specifies the relation between the input and the expected output (U. Toker, 2022).
Parametric modelling software generally comprises two
interfaces: modelling and programming interfaces. It requires two programs to
connect the visualisation and the commands.
Figure 1.
Example of Parametric Windows. Left: Grasshopper’s Canvas and Rhinoceros
Interfaces; Right: a Basic Geometric Input and Component in Grasshopper (U. Toker, 2022)
Figure 1 illustrates the relationship between the modelling
visualisation tool, a Rhinoceros, and a Grasshopper’s scripting window. For
instance, geometry is created in the Rhinoceros and brought onto the Grasshopper
canvas. Once these two entities are interconnected, the editing feature can be
executed in the programming interface because the visualisation from the Rhinoceros
is now embedded with a certain set of rules in the Grasshopper. However, the
correlation can be cancelled (U. Toker, 2022).
Table 1. Example
of Parametric Design Software
No |
Geometric Visualization |
Parametric Interface |
Developer |
Sources |
1 |
Rhinoceros |
Grasshopper |
Robert
McNeel & Associates |
G. Celani et al (2012) |
2 |
Revit |
Dynamo |
Autodesk |
S. Kardogan et al (2024) |
3 |
ArchiCAD |
Param-O |
Graphisoft |
S. Kardogan et al (2024) |
4 |
MicroStation |
Generative Components |
Bentley |
G. Celani et al (2012) |
Rhinoceros and Grasshopper are registered as Robert
McNeel and Associates’ trademarks (U. Toker, 2022). Rhinoceros has many plugins for geometric and
performance analyses, such as structural or energy consumption. “A Rhino
plugin is a software module that extends the functionality of Rhino or
Grasshopper by adding commands, features, or capabilities” (D. Rigdon-Bel, 2021).
Table 2. Examples
of Plugins Compatible with Grasshopper
No |
Plugins |
Function |
Sources |
1. |
Ladybug |
Bridging the EnergyPlus Weather files (.EPX) to Grasshopper
and illustrating the 2D and 3D simulation. |
S.R. Mostapha et al (2013) |
2. |
Honeybee |
Perform analysis by allowing users to modify the
radiance, daysim and energy plus. |
|
3. |
Butterfly |
Facilitate Computational Fluid Dynamics (CFD) simulation
using OpenFOAM. |
|
4. |
Octopus |
Set up and run multiple objective optimation algorithms. |
|
5. |
Karamba |
Perform structural analysis, such as load
calculation. |
N. Mohol et al (2023) |
6. |
Follogram |
Allows viewing and sharing of mixed-reality models
and the environment. |
O. Kontovourkis et al (2023) |
7. |
Wasp |
Conduct the phyton algorithm to models. |
A.Agkathidis et al (2023) |
8. |
Robots |
Robots is
a plugin for Rhino's Grasshopper visual programming interface.
It allows you to create and simulate robot programs. |
Visose et al (2024) |
9. |
Galapagos |
Single-objective optimisation tool by providing generating
the algorithm. |
K. Lie et al (2023) |
2.2.
Museum
dan Lighting Standard
Museums are a place to preserve and exhibit collections.
It also functions for research, educational, and recreational purposes (C.-W. Sheng et al., 2012). The collection of museums generally is the historic artefacts
which have prominent cultural and heritage benefits for humanity (P. Barron et al., 2017). It includes relics of nature, art collections, and
technological innovation. Moreover, in modern museums, various activities are
now available, not only to enjoy the display but also to engage with interactive
classes or forums.
A lighting system in a museum is essential. It can determine
how the showcase performs and preserves. Both natural and artificial lights can
influence visitors’ perception and experience of the exhibitions. According to
Stach (2021), a good museum’s lighting considered several criteria as follows :
(1) a decent degree of illumination, (2) a balance of brightness distribution, (3)
Direct glare and reflection prevention, (4) direction of the light to enhance the
shape of the display, (5) light colour and rendering and (6) light levels and colour
temperature.
There are many indicators to measure the effectiveness
of daylighting. However, Annual Cumulative Illuminance (ACI) and Useful
Daylight Illuminance (UDI) are two indicators used for this study. ACI is the total
illuminance received in a particular place for a year (K. Li et al., 2024), whereas UDI is the percentage of the useful illuminance
that drops onto the floor and wall annually. For medium sensitivity art
collection, the ideal ACI is between 50,000-480,000 lux/year, while UDI is 50%
minimum for the 50-200 lux illuminance (E. Stach, 2021).
Typically, natural daylight and artificial lighting
are combined to create sufficient light. Nonetheless, excessive artificial
lighting can cause environmental issues if the energy source is still fossil fuel-based.
Consequently, managing natural daylighting should be prioritised. Previous
studies have categorised several types of skylights. The following picture
shows a previous study that demonstrated three types of skylights: surface,
linear, and point system.
Figure 2. Three Types of Natural Daylighting System (K. Li et al., 2024)
3.
Case
Study
3.1.
The
HMA Overview
The HMA opened for the first time in 1983. Initially,
it only had 134.000 square feet of museum-built space. However, from 1999 to 2005,
the expansion project was completed under Renzo Piano's design, and 177,000
square feet were added to the existing museum (P. Zamani et al., 2010). It is located in Atlanta, USA, and has more than
17,000 works of art from the 19th - 20th century from decorative
to contemporary art and painting (E. Stach, 2021). Situated inside the Atlanta College of Art, it is
bordered by Fifteenth and Sixteenth Street on the west-east side. Combined with
the concert and theatre hall in the complex, the HMA become the largest art
museum in the United States southeast (R. Piano et al., 2018).
Figure 3. Yellow Shading Illustrates the Expansion (R. Ryan, 2006) |
Figure 4. View of The HMA, Courtesy
of the HMA (J. Forbes, 2024) |
The expansion encompasses three new blocks: the
Wieland Pavilion, the Anne Cox Chambers Wing, and the Administrative Service
Center. They are built around a public square containing a new restaurant,
cafes, bookshops, and offices. The Wieland Pavillion and the Anne Cox Chambers
Wing are the two new buildings that host most of the art collections in the latest
expansion (L. Piano, 2011). Connected by a glass bridge, these two new buildings
feature a high ceiling to display large art pieces (J. H. M. D. T.
Hursley, 2024).
The design team comes from a broad range of experts.
The design team at Renzo Piano Building Workshop (RPBW) architecture firm is
famous for its museum portfolios, which are sensitive to natural light details (E. Stach, 2021). In collaboration with Lord, Aeck & Sarfent Inc.
as Architect, the consultants include Ove Arup & Partner, Uzun & Case,
Jordan & Skala as structure and service; Arup Acoustics; Arup Lighting;
HDR/WLJorden in civil engineering; Jordan Jones and Goulding in landscaping,
Bergmeter Associate for the interior/restaurant; and Brand, Allen Architect in
the interior/retail (L. Piano, 2011).
3.2.
Natural
Lighting Optimization
The HMA preserves prominent arts and historical
collections. The focus of the lighting design in the Wieland Pavillion and the
Anne Cox Chambers Wing is to guarantee the visitor experience when viewing the
artwork as well as to protect the showcase from damaging factors, such as
direct sunlight. Hence, designing the lighting is crucial. Unlike artificial
lighting, natural daylighting also plays a significant effect in energy
conservation and reduces operational costs (K. Li et al., 2024).
Figure 5. Aerial View of the HMA building, Courtesy
of Denance, Michel (L. Piano, 2011) |
Figure 6. The Anne Cox Chambers Wing North View,
Courtesy of Denance, Michel (L. Piano, 2011) |
Figure 7. Section from
Fifteenth to Sixteenth Street (L. Piano, 2011) |
The RPBW’s considerations in a building's natural
lighting performance included material and immaterial characteristics. The material
factor includes durability, whilst the immaterial entails the visual and
spatial characteristics of the material, such as transparency, lightness, and
the vibration of light in architecture. The design team experimented with techniques
and scientific aspects of lighting using different shapes and shading systems. In
the HMA, RPBW created 1.000 units of passive skylight made from a combination
of Glass Fibre-Reinforces Gypsum (GFRG) and aluminium. This spoon-shaped
skylight was distributed on top of the upper floor of the Wieland Pavillion and
the Anne Cox, lined through a grid ceiling to reflect indirect sunlight (E. Stach, 2021). The roof consists of modular aluminium panels. It acted
as a shield to shade the skylight from intense sun rays, particularly the roof,
due to the north (L. Piano, 2011). The interior’s material choices also enhanced the
light ambience of the gallery by using coated natural oak flooring (K. Li et
al., 2024) and a white ceiling that was closed at the bottom and perforated at
the top (L. Piano, 2011). This combination of the material and the skylight lets
the natural light illuminate the showcase nicely.
Figure 8. The Skyway Gallery in the Wieland
Pavilion’s Upper Level, Courtesy of Denance, Michel (L. Piano, 2011) |
Figure 10. Roof View, Courtesy of Denance, Michel (L. Piano, 2011) |
Figure 9. Section of the Anne
Cox Chambers Wing shows the extended aluminium facade shades some of the
tubular skylight (E. Stach, 2021) |
The skylight implemented a point system
with exterior cone-shaped sunshades, circular glass skylights, and a light tube
connected to the ceiling. It is a 1.82-meter tubular skylight, with 60 centimetres
of it placed above the roof line. Each of the sunshades twists slightly to block
the sun from the south and allows the soft northern daylight to bounce into the
interior. There were two previous studies tested the performance of this system
by using sensors and computational models. The first study was from Stach
(2021), which put censors on the actual site, whereas the second one was from
Li et al (2024), which utilised computational parametric simulation applied to
a virtual model and tested on a physical model. These studies have parameters
in common to test the correlation between the system and daylight performance. However,
the computational parametric can offer more design options to achieve daylight
system optimation. The diagram
below illustrates the tools and workflow applied in the study.
Figure
11. The HMA Expansion Project Research’s Tools and Workflow (K. Li et al., 2024)
Initially, the virtual 3D modelling was created using
Rhinoceros. The geometry was then linked with the Grasshopper, so the model
becomes adjustable in terms of the required dynamic parameters. Ladybug then
provided EnergyPlus data from an open-source website (R. Grasshopper, 2018). This data functions as basic assumptions on the
local weather conditions to conduct analysis and visualisation, such as
sunlight hours and solar radiation (K. Liu et al., 2023). Ladybug and Honeybee were working concurrently to
bridge environmental data provided by third parties. Besides EnergyPlus, there
were also other providers, namely THERM, Radiance, OpenStudio and Daysim (R. P. Khidmat et al., 2022). Once the model was embedded with environment data
and the command was set in the grasshopper canvas, the Octopus plugin generated
the algorithm to reach an optimum daylighting design regarding its performance,
cost and energy consumption (K. Li et al., 2024).
The parametric simulation showed 4987 scenarios after
29 times of iterations. The optimum ACI and UDI performance was achieved when
the following dynamic criteria were met.
|
|
Figure 12. Left: Fix Parameters;
Right: Dynamic Parameters (K. Li et al., 2024) |
Table 3. Static and Dynamic Parameters in the
Computational Research of the HMA Expansion’s Skylight System
Static Parameters |
Dynamic Parameters |
|
1.
The design of the ceiling below skylights 2.
The cone shape tubular medium between skylights
and the ceiling |
1. Height of the
light well (a) |
1.8 metres,
between 0.7 and 0,6 metres above the roof line |
2. Sunshade angle
against light well (b) |
10O-30O
|
|
3. The opening
angle of the sunshade (c) |
80O-120O |
|
4. The length of
the sunshade (d) |
1.3-1.5 metres |
|
5. The sunshade
angle against the horizontal plane (e) |
65O-70O |
|
6. The curvature
of the sunshade (f) |
-0.2-0.3
metres |
4.
Analysis
and Discussion
The
computational simulation, particularly the parametric method, was implemented
in the HMA Expansion research. It explored different scenarios of dynamic
parameters to formulate the best skylight design that demonstrated the ideal
lighting performance. Two different methods had been used in the previous
study. Nonetheless, the
censor’s research method suggests that a series of computational models were
needed to analyse the skylight roof system (E. Stach, 2021). The parametric approach, on the other hand, proposed
myriad skylight design solutions.
Table 3. The Comparison
of The HMA Skylight’s Previous Research
Aspect |
Stach (2021) |
Li et al (2024) |
Aim of the
Study |
Verify the daylighting
system on-site |
Suggest the
design of the skylight system to meet standards |
Research
Method |
Censors on the
actual site |
Computational
simulation tested on a model |
Quantitative
Threshold for Medium Sensitive Art Display |
||
1. Useful
Daylight Illuminance (UDI) |
50-200 lux,
persist minimum 50%/ year |
50-200 lux,
persist minimum 50%/ year |
2.
Annual Cumulative Illuminance (ACI) |
Maximum
480,000 lux/ year |
Maximum
480,000 lux/ year |
Result |
||
1.
Useful Daylight Illuminance (UDI) |
50-200 lux,
persist 75%/ year |
50-200 lux
persist over 78.15%-80.61%/ year |
2.
Annual Cumulative Illuminance (ACI) |
346,400 lux/
year |
424,211 –
451,920 lux/ year |
Dynamic
Parameters |
||
7.
Height of the light well (a) |
1.8 metres,
0.6 metres above the roof line |
1.8 metres,
between 0.7 and 0,6 metres above the roof line |
8.
Diameter of the Circular Glass |
67 centimetres |
- |
9.
Sunshade Angle against building axis |
26O
-28.9O off the building axis (facing north) |
- |
10. Sunshade angle
against light well (b) |
- |
10O-30O
|
11. The opening
angle of the sunshade (c) |
93.8O |
80O-120O |
12. The length of
the sunshade (d) |
1.43 metres |
1.3-1.5 metres |
13. The sunshade
angle against the horizontal plane (e) |
- |
65O-70O |
14. The curvature
of the sunshade (f) |
0 |
-0.2-0.3
metres |
Table
3 compares two previous studies on the HMA skylight system. Both studies employed the ACI and the UDI threshold
suggested by the Illuminating Engineering Society of North America (IESNA).
IESNA recommended that the lighting system should consider the artefact's
sensitivity to ensure the lighting will not damage it while still making it
visible to the visitor. The results of these studies are slightly different.
The first study explains that the optimal ACI and UDI are a minimum of 75% and
a maximum of 346,400 lux/ year, respectively, whilst the second study
demonstrates that the ACI ranges between 78.15% - 80.61%/ year and the UDI is 424,211
– 451,920 lux/ year. Regardless of the differences, the studies verified that
the existing building has already met the IESNA standard requirement. The
second study, however, can offer more comprehensive data by exploiting all
daylighting system scenarios using parametric design tools. It stimulates the virtual models using parametric
design tools which are Rhinoceros, Grasshopper, Ladybug, Honeybee, and Octopus.
This process requires the designer to understand how to operate components in
Grasshopper to make a logical rule and flow for their design.
The
scenarios were generated from an algorithm in the models. A Grasshopper
contributes a significant aspect to the process. It has key elements: (1)
nodes, which are repositories of data that perform some function or command;
(2) components, which are the nodes that perform logic. Every time the input
changes, the component re-executed the output; (3) Sliders refer to the element
of the component that allows the numerical range level; (4) Panel component,
which fuctions to inspect the values of the input; (5) Wires serve as the node’s
connection to define the flow of the rule (Rhinoceros3d, 2022).
Figure 13.
Example of the Relationship between Grasshoper’s Component within Environmental
and Multi-Objective Optimization Plugin (R. P. Khidmat et al., 2020)
The evaluation and optimisation of the skylight system demonstrated that
the ACI and the UDI could be tracked by parametric simulation. The process was
generated automatically using a parametric algorithm based on the input to meet
the expected output. However, the main weakness of the previous study was that
they did not address the question of energy consumption and cost estimation in
more detail. Even though the use of Octopus in this study aimed to find the
optimum balance between those two aspects, the research would have been more
relevant if a comparison between energy and operational costs had been
explored.
Figure 14.
Left: Octopus’s Generation Outcomes Demonstrated All Iteration; Right: The Optimum
UDI, DA (Daylight Anatomy) and ACI
Parametric design as a computational design approach
can provide many alternatives during any stage in the design process once the
models are embedded by the rule. Therefore, it can save time, help make
rational decisions, and create complex designs. However, it has challenges,
such as the difficulties of learning technical programming that is better
aligned with the architects' roles (R. Yu et al., 2015). Consequently, it may seem intimidating for designers
to elaborate on their ideas in a new language (U. Toker, 2022). Furthermore, the use of code-generated design can
shift the design process by relying only on the algorithm rather than the
project’s objectives. Nonetheless, it can be overcome by learning the virtual
programming language to manipulate the object while still prioritising the
client’s need.
5.
Conclusion
The advantages of parametric design include opening
many design alternatives using numerous performance analyses, such as
structural and environmental aspects. It can also enhance creativity because of
the automatisation and traceable iterative geometries creation. Furthermore, it
can serve as a seed as the program is reusable. Despite the benefits, a
challenge may emerge, for instance, the difficulty of translating the architect’s
ideas into programming language and a possibility that the architect’s solution
will be driven only by the algorithm rather than idealism, for example, aiming for
the building objectives and the client’s requirements. (R. Yu et al., 2015). Building programming skills and emphasising the
client’s requirements are recommended to overcome difficulties.
The HMA Expansion Case Study showed that a Parametric Design approach
can be applied to evaluate the natural daylighting performance. Eventhough it
is unknown whether parametric or environmental analysis tools were implemented
in the HMA expansion project, two previous studies showed that the existing
pointing skylight system used in the building met the required daylight
standard. In addition, the use of the parametric
method could verify and even more offer an optimal solution for the skylight
system. Nevertheless, further detailed study is needed to inspect energy
efficiency and its relationship with operational cost.
Words Count: 3.071
6.
References
1. Barron, P. & Leask, A. (2017)
'Visitor engagement at museums: Generation Y and ‘Lates’ events at the
National Museum of Scotland', Museum
Management and Curatorship, 32(5), PP. 473-490. Available at: https://doi.org/10.1080/09647775.2017.1367259
3. Forbes,
J. (2024) From Blueprints to Brilliance:
Building the High Museum of Art. Available at: https://medium.com/high-museum-of-art/from-blueprints-to-brilliance-building-the-high-museum-of-art-ae8b74d87118
(Accessed: 19 December 2024).
4. Grasshopper,
R. (2018). Ladybug Grasshopper Tutorial.
[Online video]. Available at: https://www.youtube.com/watch?v=XaNSy9-LEpc&t=606s
(Accessed: 24 December 2024).
5. Hursley,
J.H.M.D.T. (2024) High Museum of Art
Expansion, Atlanta. Available at: https://arquitecturaviva.com/works/ampliacion-del-high-museum-of-art-atlanta-2
(Accessed: 19 December 2024).
6. Khidmat,
R.P., Fukuda, H., Paramita, B., Koerniawan, M.D. & Kustiani, K. (2022)
'The optimization of louvers shading devices and room orientation under three
different sky conditions', Journal of
daylighting, 9(2), PP. 137-149. Available at: https://doi.org/10.15627/jd.2022.11
7. Khidmat,
R.P., Ulum, M.S. & Lestari, A.D.E. (2020) 'Façade Components Optimization
of Naturally Ventilated Building in Tropical Climates through Generative
Processes. Case study: Sumatera Institute of Technology (ITERA), Lampung,
Indonesia', IOP Conference Series: Earth
and Environmental Science, 537(1), PP. 012015. Available at: https://doi.org/10.1088/1755-1315/537/1/012015
8. Li,
K., Fukuda, H., Zhang, L. & Zhou, R. (2024) 'Parametric design and
multi-objective optimization of daylight performance in gallery skylight
systems: A case study on the high museum expansion', Energy and Buildings, 311, PP. 114136. Available at: https://doi.org/10.1016/j.enbuild.2024.114136
9. Liu,
K., Xu, X., Huang, W., Zhang, R., Kong, L. & Wang, X. (2023) 'A
multi-objective optimization framework for designing urban block forms
considering daylight, energy consumption, and photovoltaic energy potential', Building and Environment, 242, PP.
110585. Available at: https://doi.org/10.1016/j.buildenv.2023.110585
10. Oxman,
R. (2017) 'Thinking difference: Theories and models of parametric design
thinking', Design Studies, 52, PP.
4-39. Available at: https://doi.org/10.1016/j.destud.2017.06.001
11. Piano,
L. (2011) The High Museum of Art
expansion. Available at: https://www.fondazionerenzopiano.org/en/project/high-museum-of-art-expansion/#section-documents
(Accessed: 19 December 2024).
13. Rhinoceros3d
(2022). Grasshopper Components.
[Online video]. Available at: https://www.youtube.com/watch?v=uOBmzqvRxUY
(Accessed: 29 Desember 2024).
14. Rigdon-Bel,
D. (2021) What is a Rhino Plugin?
Available at: https://developer.rhino3d.com/guides/general/what-is-a-rhino-plugin/
(Accessed: 27 December 2024).
16. Sheng,
C.-W. & Chen, M.-C. (2012) 'A study of experience expectations of museum
visitors', Tourism Management,
33(1), PP. 53-60. Available at: https://doi.org/10.1016/j.tourman.2011.01.023
19. Yu,
R., Gero, J. & Gu, N. (2015) 'Architects' Cognitive Behaviour in
Parametric Design', International
journal of architectural computing, 13(1), PP. 84-101. Available at: https://doi.org/10.1260/1478-0771.13.1.83
20. Zamani,
P. & Peponis, J. (2010) 'Co-visibility and pedagogy: innovation and
challenge at the High Museum of Art', Journal
of architecture (London, England), 15(6), PP. 853-879. Available at: https://doi.org/10.1080/13602365.2011.533550
Komentar
Posting Komentar